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Joe Glazer (1918-2006) was the Education Director of the United Rubber Workers, AFL-CIO.


"Since the Industrial Revolution, working people have been organizing and campaigning for better treatment from their employers. The labor movement and its unions struggle for fair wages, safe working conditions, and many other benefits. Music is an important tool in the labor movement to motivate workers and help build solidarity. Labor songs detail political issues, glorify martyrs and heroes in the movement, and, most of all, inspire and uplift workers. Joe Glazer (1918–2006), often called 'Labor's Troubadour,' spent a lifetime as one of America's noted historians of labor song. His booming baritone and exuberant guitar performed exuberantly for millions of workers, strikers, and students. He was the author of several significant labor songs, notably 'The Mill Was Made of Marble,' which is a commentary on the need for cleaner, safer mill conditions for textile workers. In addition to his performing, he was employed by the United Rubber Workers, the Textile Workers Union of America, and the United States Information Agency over the course of his career. Glazer founded Collector Records in 1970 to distribute his own recordings of labor songs and those of younger and newer performers he had met through his work—many of them through the Labor Heritage Foundation, which he founded in 1978, and its yearly Great Labor Arts Exchange. Some artists, such as Bobbie McGee, went on to become well-known folk singers, but many Collector artists remained at their jobs. Eddie Starr (1956–2003) was a third-generation Illinois steelworker who declined a life on the road as a rock musician, and took a factory job at home to support his family. Kenny Winfree was a textile worker when Glazer heard his bluegrass-style labor songs. He continues to work, now at an aircraft plant in Texas, where he is an active member of UAW Local 848. Collector Records painted a clear picture of workers' struggles. Songs depicted everyday hazards and ailments encountered on the job, allowing workers to express their situation and make audiences aware of their plight. 'Cotton Mill Colic' was a classic folk song written in 1926 by David McCarn, a textile mill worker in North Carolina, that described the harsh conditions and low pay of mill-working life. The steelworker in 'Corrido Minero' sang about the ever-present danger of working in a mine with outdated equipment. Newer workplace issues were expressed in labor songs as well. The worker in John O'Connor's song suffered from carpal tunnel syndrome, one of the most frequent of modern workplace afflictions, occurring among those who perform a great deal of computer data entry and causing extreme pain in the hands and arms. Collector Records was a historic collection presenting music to inspire and motivate working people. The Glazer family donated the label's recordings to the Smithsonian Center for Folklife and Cultural Heritage in 2006."

—http://www.folkways.si.edu/labors-troubadour-joe-glazer-collector-records/struggle-protest/music/article/smithsonian


Automation
The Mill Was Made of Marble

Song of the Guaranteed Wage (with Ruby McDonald)
Soup Song
Too Old to Work


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